“‘See What I Mean’: Ed Levine and the Making of Vermont Village,” in Ed Levine: The Embodied Experience of Art. Ed. Julie Reiss, Harpo Foundation, 2025.
“Lines of Sight,” in Ghost of a Dream: I Know a Place Where They Perform Miracles. Catalog essay. Geary Contemporary, 2024.
https://brooklynrail.org/2022/04/art/Meg-Webster-with-Julie-Reiss
https://brooklynrail.org/2021/10/artseen/Kamala-Sankaram-The-Last-Stand
“Mary Mattingly: A Year of Public Water,” The Brooklyn Rail, July/August 2021
“(Un)Common Denominators: Janet Biggs’ Single-Channel Videos,” Catalog essay, Cristin Tierney Gallery, 2021://issuu.com/cristintierney/docs/uncommon_issuu?fr=sYWIzZjMzMjQy
“Art and Climate Change.” Grove Art Online. 2021.
“Here and Now: Installation Art at Rice Gallery, 1995-2017,” in One Thing Well: 22 Years of Installation Art. Ed. Rainey Knudson. Lucia Marquand, 2021.
“Terra Incognita: Exhibiting Ice in the Anthropocene.” Minding Nature 12, no. 2 (Spring 2019)”
Guest Critic, The Brooklyn Rail, “Art in the Climate Crisis.” June 2019
“Locating Myself in the Anthropocene,” in EuropeNow Journal, May 2017.
“Looking at Stonehenge as Minimalist Sculpture.”
“From Margin to Center Revisited” in José Quaresma, A Pintura Contemporānea No Barco de Teseu, Vol. II: Instalar e Habitar Picturalmente o Mundo. Lisboa. Associçāo dos Arqueólogos Portugueses. English translation 2017.
“Sally Gil: Excavating the Present,” Catalog essay. Jack Geary Contemporary, 2015.
“Sound Affects: The Auditory Experience in Installation Art,” in Sonambiente 2006: Klang Kunst Sound Art. Berlin: Akademie Der Künste. Catalog essay, 2006.
Julie Reiss 